You
must have felt mesmerized listening to some speakers on various occasions and
some must have forced you to sleep. What is special or different in the
speakers who are able to communicate well with the audience and communicate
excellently from others who may have lot of knowledge about the subject they
are dealing, but it becomes a real task to keeping yourself awake during their
lectures or presentations.
When
we are talking naturally we vary our tone, and volume, use inflections. But
when we are giving speech, we tend to become mechanical and artificial, hence
the disconnect.
Research
shows that how you say something is five times more important than what you
say. Inflections can greatly impact meaning and conversationality. When reading
copy or giving a memorized speech, a lack of conversational inflection will
“give you away” very quickly. The perfect words with the wrong inflection will
sound mechanical and boring.
Inflections are
the smooth pitch changes within words. They add interest and melody to the
voice and speech. The four general types of inflection are rising, falling, and
rising and falling circumflex. We use a great deal of rising circumflex
(up-down-up) when we talk, especially at the ends of phrases. They indicate to
the listener that although we may be taking a pause, we haven’t finished
speaking. It’s also used to indicate the first element of a contrast (It’s not
red, it’s green.) and for a variety of other reasons. Unfortunately, it’s a
vocal aspect that’s frequently eliminated in performance, especially when we
read copy or have a speech memorized.
Great
speakers understand that an audience cannot absorb a fast-paced 30 minute
speech. Nor can they tolerate a program that does not include variations in
voice tone. Changing your pitch, power and pace will keep the focus where it
belongs – on you and your subject.
In
my previous post, I suggested you to record your speech and listen to it. While
listening to it you should observe – if you are varying your pitch. It’s very
annoying to listen to someone who is speaking at the same level without
changing the pitch, it’s a monotone. Incidentally it’s the root word for the
adjective monotonous; I guess it makes it self-explanatory.
Some
people believe they should develop a deep, resonant voice, and as a result they
speak with low energy and little enthusiasm. Others try over inflecting which
can sound artificial rather than believable – remember the famous recorded
voice you get to listen many times in a
day “The person you are calling is busy on some other call, please hold the
line or call again later.” It has got excessive inflection and sounds nearly
mocking the person on the other end.
The
rate at which we speak also signifies the nature of speech, if you are giving thoughtful
comments it, the speech is expected to be slow paced, but if you are doing a
sales pitch, then you should better pick up the speed.
Same
rule goes for the volume. The volume is like bold typeface in speech. You should
shout when you wish to emphasize a point. And just like a text totally written
in boldface loses its emphasis so does a speech given in shrilling high volume.
The audience would find it irritating and would not be able to concentrate on
the content rather they would wait for you to finish your speech as early as
possible.
Speak
naturally, but deliberately add highs and lows. As Ron Arden suggests – When you
want to make a point speak louder and slower or softer and slower change the
way you speak.
While
listening to your recording, also notice if you are speaking clearly; it will
be good idea to ask someone else to listen to your recording and tell you, what
he feels. Check if you cut off the final syllable of many words, as some of the
speakers do it quite often. As in writing, we keep some space between words to
let the writing remain legible; same is true when you speak. Observe if you are
giving appropriate gap between words. Remember, I am saying gap, not asking for
pauses between words.
You
should also see if you are adding noise in your speech. A noise is anything
which is redundant not desired in the speech, not contributing to the content
that you wish to convey. The words like “um”,
“uh”, “you know”, “actually” or any other such word, which is termed as crutch
words. It cripples your speech. If you notice such words in your speech, you
need to consciously work towards avoiding them in your speech. With effort and
practice you would be able to clear your speech off these fillers.
Silence
is a speaker’s best friend. Don’t be afraid to stop talking and allow “quiet”
to engulf the room. It’s a good idea to give your audience some time to
process, as people cannot process words as quickly as they are spoken.
Learn
to constantly “read” your audience. Know when it is time to either raise your
voice, speak softly or add something dramatic.
Speaker
Betsy Buckley says, “I pause. I lower my voice. I’ll even whisper. For me,
holding attention means being more quiet. Since silence seems to encourage them
to become more involved. Less from me often equals more from them.”


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